The Grateful Dead Skull And Roses The Other One Mp3 Free Download UPDATED
The Grateful Dead Skull And Roses The Other One Mp3 Free Download
| Grateful Dead | ||||
|---|---|---|---|---|
 | ||||
| Alive anthology by Grateful Dead | ||||
| Released | September 24, 1971 (1971-09-24) | |||
| Recorded | March 24 – April 29, 1971 | |||
| Genre | Jam rock, roots rock, psychedelic stone | |||
| Length | 70:12 | |||
| Label | Warner Bros. (#2WS-1935) | |||
| Producer | Grateful Dead with Betty Cantor and Bob Matthews | |||
| Grateful Expressionless chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Village Vocalism | A–[2] |
Grateful Dead is an album by rock band the Grateful Dead. Released on September 24th, 1971[3] on Warner Bros. Records, it is their 2nd alive double album. Although published without a championship, it is generally known by the names Skull and Roses (due to its iconic cover art) and Skull Fuck (the name the band originally wanted to give to the anthology, which was rejected by the record company). It was the group'south starting time album to exist certified gilded by the RIAA[4] and remained their best seller until surpassed by Skeletons from the Closet.
Recording and release [edit]
Dissimilar Live/Dead, the album contained several pb and background vocal overdubs. For the three new original compositions ("Bertha", "Playing in the Band", and "Wharf Rat"), the ring invited Jerry Garcia associate Merl Saunders to overdub organ parts. This fabricated the organ playing of Saunders more than prominent than that of Pigpen, whose contributions tend to be buried in the mix.
"Playing in the Ring" received a good corporeality of airplay, and became 1 of the Dead'south most played songs in concert (a studio version was released the following year on rhythm guitarist Bob Weir'due south solo album Ace).[5] The closing segue of "Not Fade Abroad" into "Goin' Downwardly The Road Feeling Bad" also received airplay and became a fan favorite.
The album's cover art, composed by Alton Kelly and Stanley Mouse, is based on an illustration by Edmund Joseph Sullivan for an old edition of the Rubaiyat of Omar Khayyam.[4] Though the album has been known by the sobriquet "Skull & Roses", the original vertical gatefold embrace unfolds to reveal the entire skeleton. The graphic became one of the images about associated with the band.
Opening track "Bertha" fades in on the original version of the album, in semblance of inbound the performance space. A longer, full opening is used on CD/digital copies. More than tracks from the aforementioned source concerts were later released on Ladies and Gentlemen... the Grateful Dead.
The 7" single release of "Johnny B. Goode" (a split single with Elvin Bishop) was actually the version from the album Fillmore: The Last Days. Still, the version from this album was later used as a B-side on the re-release of the "Truckin'" unmarried.
The album was remastered and expanded for the 2001 box gear up The Golden Route. This version, with three bonus tracks (two contemporaneous live tracks and a hidden promotional runway) and the extended "Bertha", was released separately, in 2003.
The 50th Anniversary Edition of Skull and Roses was released on June 25, 2021, in CD, LP, and digital formats. The CD includes a bonus disc of songs recorded live at the Fillmore West in San Francisco on July 2, 1971.[6]
Title and message [edit]
When the band submitted "Skull Fuck" (a contemporary euphemism for "blow your heed") as the album title, information technology was rejected past the tape label. Ultimately the agreement was made that the anthology would be published without the title actualization anywhere on the tape labels or encompass artwork. Though the band refers to the album by this title, and it has long been known to fans (through interviews with band members, the Deadhead network and other outlets), the alternating, descriptive championship "Skull & Roses" developed among distributors, music buyers and reviewers equally a graphic incipit from the cover artwork.
Drummer Bill Kreutzmann explained the lack of a championship on the artwork and labels, "...the original name was going to be "Skull Fuck". This was a time long before rap artists like Eminem numbed concerned citizens to the thought of offensive linguistic communication in music. Warner Brothers freaked out on us. They said stores would cold-shoulder information technology and nosotros wouldn't be able to get it on shelves."[7]
Inside the gatefold of the original LP, the band reached out directly to its burgeoning fan base, which had begun to attend multiple concerts in a row and collect alive audio tapes of each concert, with a bulletin reading:
Dead Freaks Unite: Who are you? Where are you lot? How are you?
Send us your name and address and we'll go on you informed.
Dead Heads, P.O. Box 1065, San Rafael, California 94901.
The mailing address is no longer extant.
Rail listing [edit]
| No. | Title | Writer(s) | Recording notes | Length |
|---|---|---|---|---|
| 1. | "Bertha" | Jerry Garcia, Robert Hunter | April 27, 1971, Fillmore East | five:27 |
| 2. | "Mama Tried" | Merle Haggard | April 26, 1971, Fillmore Eastward | ii:42 |
| 3. | "Big Railroad Blues" | Noah Lewis | April 5, 1971, Hammerstein Ballroom | 3:34 |
| 4. | "Playing in the Ring" | Bob Weir, Hunter | April vi, 1971, Hammerstein Ballroom | 4:39 |
| No. | Title | Writer(south) | Recording notes | Length |
|---|---|---|---|---|
| 1. | "The Other One" | Weir, Bill Kreutzmann | Apr 28, 1971, Fillmore East | xviii:05 |
| No. | Title | Writer(s) | Recording notes | Length |
|---|---|---|---|---|
| 1. | "Me and My Uncle" | John Phillips | April 29, 1971, Fillmore E | 3:06 |
| two. | "Large Boss Man" | Luther Dixon, Al Smith | April 26, 1971, Fillmore Due east | 5:12 |
| 3. | "Me and Bobby McGee" | Fred Foster, Kris Kristofferson | April 27, 1971, Fillmore East | 5:43 |
| 4. | "Johnny B. Goode" | Chuck Drupe | March 24, 1971, Winterland Ballroom | 3:42 |
| No. | Title | Writer(s) | Recording notes | Length |
|---|---|---|---|---|
| i. | "Wharf Rat" | Garcia, Hunter | April 26, 1971, Fillmore East | 8:31 |
| two. | "Not Fade Away/Goin' Down the Road Feeling Bad" | Buddy Holly, Norman Trivial/traditional | April 5, 1971, Hammerstein Ballroom | nine:14 |
| Total length: | lxx:12 | |||
The 4 sides of the vinyl album were combined as tracks 1–11 on CD reissues.
| No. | Championship | Writer(s) | Recording notes | Length |
|---|---|---|---|---|
| 12. | "Oh, Boy!" | Lilliputian, Bill Tilghman, Sonny Due west | April six, 1971, Hammerstein Ballroom | 2:50 |
| xiii. | "I'g a Hog for You" | Jerry Leiber and Mike Stoller | April 6, 1971, Hammerstein Ballroom | iv:08 |
| 14. | "Grateful Dead radio spot" | 1:00 |
| No. | Championship | Writer(s) | Recording notes | Length |
|---|---|---|---|---|
| 1. | "Expert Lovin'" | Rudy Clark, Artie Resnick | July 2, 1971, Fillmore Due west | 17:47 |
| two. | "Sing Me Dorsum Dwelling house" | Haggard | July ii, 1971, Fillmore Due west | 10:16 |
| 3. | "Mama Tried" | Haggard | July 2, 1971, Fillmore West | 3:08 |
| four. | "Cryptical Envelopment" | Garcia | July two, 1971, Fillmore Due west | 2:25 |
| 5. | "Drums" | Kreutzmann | July 2, 1971, Fillmore West | five:xiii |
| half-dozen. | "The Other One" | Weir, Kreutzmann | July 2, 1971, Fillmore Due west | xv:51 |
| 7. | "Big Dominate Man" | Smith, Dixon | July 2, 1971, Fillmore West | 5:27 |
| viii. | "Not Fade Away" | Holly, Lilliputian | July 2, 1971, Fillmore West | iii:57 |
| 9. | "Goin' Down the Road Feeling Bad" | Traditional, arranged past Grateful Dead | July 2, 1971, Fillmore West | 9:39 |
| 10. | "Not Fade Away" | Holly, Trivial | July 2, 1971, Fillmore West | 2:35 |
| Total length: | 76:26 | |||
Note: More than songs from the April 25 – 29, 1971 shows at the Fillmore East are included in Ladies and Gentlemen... the Grateful Dead.
Personnel [edit]
Grateful Dead
- Jerry Garcia – atomic number 82 guitar, vocals
- Bob Weir – rhythm guitar, vocals
- Phil Lesh – bass guitar, vocals
- Bill Kreutzmann – drums
- Ron "Pigpen" McKernan – organ, harmonica, vocals
Additional musicians
- Merl Saunders – organ on "Bertha", "Playing in the Band", "Wharf Rat"
Production
- Produced by Grateful Dead
- Recording: Bob Matthews, Betty Cantor
- Artwork: Alton Kelley
- Photo: Bob Seidemann
Production – 50th Anniversary Edition
- Produced for release by David Lemieux
- Mastering: David Glasser
- Tape restoration and speed correction: Jamie Howarth, John Chester
- Recording – Fillmore W bonus disc: Male monarch Jackson
- Blueprint: Steve Vance
- Liner notes essay: Gary Lambert
Charts and certification [edit]
Billboard
| Twelvemonth | Nautical chart | Position |
|---|---|---|
| 1971 | Popular Albums | 25[viii] |
RIAA certification
| Certification | Date |
|---|---|
| Gold | November fifteen, 1971[ix] |
Notes [edit]
- ^ Planer, Lindsay. "Grateful Dead (Skull & Roses)". AllMusic . Retrieved September 26, 2018.
- ^ Christgau, Robert (October 14, 1971). "Consumer Guide (19)". The Village Voice. New York. Retrieved April 14, 2013.
- ^ Shackleford, Tom (March 24, 2021). "Rhino to Reissue Grateful Dead's 'Skull & Roses' Alive Album for 50th Anniversary". Live for Alive Music . Retrieved September 24, 2021.
- ^ a b Grateful Dead (Skull and Roses) at the Grateful Dead Family unit Discography
- ^ Scott, John W.; Dolgushkin, Mike; Nixon, Stu. (1999). DeadBase Xi: The Complete Guide to Grateful Dead Song Lists. Cornish, NH: DeadBase. ISBNone-877657-22-0.
- ^ Bernstein, Scott (March 24, 2021). "Grateful Dead Confirms 'Skull & Roses' 50th Anniversary Reissue". JamBase . Retrieved May 1, 2021.
- ^ Kreutzmann, Bill (2015). Bargain. St. Martin's Press, New York. Chapter 10. ISBN978-ane-250-03380-2.
- ^ "Grateful Dead | Awards". AllMusic.
- ^ "RIAA Gilded & Platinum database-The Grateful Dead". Recording Industry Clan of America . Retrieved March one, 2017.
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